Music for Sunday 9th September: Trinity 15, Year B

Time got ahead of me and I didn’t get back to this after my summer break quite as quickly as I wanted to. Never mind: better to start from where I am. I had a lovely summer that included two weeks of cathedral singing: in Ely with a Canadian choir, and in Ripon with the University of London Church Choir, which included one of my psalm chants and my Nunc dimittis.

So, anyway, the readings for, er, yesterday, were:


Proverbs 22:1-2, 8-9, 22-23 (continuous)
Psalm 125 (continuous)
Isaiah 35:4-7a (related)
Psalm 146 (related)
James 2:1-10 [11-13] 14-17
Mark 7:24-37

Proverbs: The Lord is on the side of the poor and afflicted

Psalm 125: Those who trust in the Lord are safe like mountains that cannot be moved

Isaiah: Do not be afraid! God will come with vengeance, heal people, and transform the land from desert to oasis.

Psalm 146: Happy are those who trust in the Lord, who executes justice, feeds the hungry, opens the eyes of the blind, frees the prisoners, watches over the strangers, upholds the orphan and widow, but brings the wicked to ruin.

James: A warning against showing favouritism or partiality toward the rich; faith without works is dead.

Mark: The healing of the Syrophoenician woman’s daughter; the restoration of hearing and speech to a deaf man.

Music:

Kate Keefe, Psalm 125
Responsorial psalm using the NRSV; cantor or unison choir and congregation, with keyboard and recorder (the recorder part looks optional to me).
PDF: https://www.musicformass.co.uk/episcopal/music/psalm-125-us-16th-after-pentecost-year-b.pdf
mp3 (robots): https://www.musicformass.co.uk/episcopal/sound/psalm-125-us-16th-after-pentecost-year-b.mp3
(and do read Kate’s recent blog post on women being given a voice by Jesus.)

It’s well worth looking at Kate Keefe’s other responsorial psalms and canticles, too; mind that the numbering for the psalms is slightly different for Roman Catholics.

The Syrophoenician woman’s challenge to Jesus, to heal her daughter even though they are Gentiles, is a strong one. Along those lines, Elizabeth Alexander’s No Other People’s Children is a good reminder that the divisions we find it so easy to make between people are false. Whether it’s appropriate for liturgical use will depend on your own church, though; written for a Unitarian context, the text doesn’t refer to God at all.

If you’re planning music ahead, I do have advance music recommendations available for December 2018 (£3.50) and January 2019 (£2.50), and I hope to have February online before the end of this month, PhD work allowing. If you’re not planning your music that far ahead but you want to support my work on this site, buying the music recommendations PDF is a great way to do that.

Music for Sunday, 15th April: Easter 3, Year B

The readings for this week are:
Zephaniah 3:14-20
Acts 3:12-19
Psalm 4
1 John 3:1-7
Luke 24:36b-48

(The deal in Eastertide is that the reading from Acts is mandatory. So you could go Zephaniah, Psalm, Acts, Luke, or you could go Acts, Psalm, 1 John, Luke, or if you’re doing a service with just two readings it would be Acts and Luke.)

The section heading in the NRSV for the reading from Zephaniah is “A Song of Joy” and that seems to sum things up pretty well.

The reading from Acts starts in a slightly awkward place; Peter and John have just healed a man who couldn’t walk and he’s very happy about it, and as this happened at the Temple it’s causing a bit of a stir. Peter points out that it’s God’s power, not his own or John’s, that is behind this healing.

He also points out to this Temple crowd that they rejected Jesus; I’m always wary of anti-Semitic interpretations of this text and others like it. Given the location and timing it seems likely that he does mean them personally, that the Israelites he was addressing in the Temple that day were the same ones who had cried to Pilate to release Barrabas and crucify Jesus. Then he’s back to being a witness and to faith in the name of Jesus, and then he calls them “friends” and assures them that he knows they were acting in ignorance, and this is how the Scriptures were fulfilled; and he calls them to repent… and the reading ends, mid-sentence, much to the frustration of grammar pedants compiling pew slips (ask me how I know). But this call to repentance, pre-empted by a level of understanding of human frailty that suggests forgiveness is, at least, possible, brings to my own mind last week’s Gospel reading, in which the disciples are told “If you forgive the sins of any, they are forgiven them; if you retain the sins of any, they are retained.” It seems to me that the forgiveness and the faith and the healing are tangled up somehow, all intertwined in a redemption that we don’t always understand.

Psalm 4 is one I know well from Compline; a plea for deliverance that ends with an assurance of safety.

The reading from 1 John is a bit difficult: out of context it almost seems to be contradicting the idea that sins can be forgiven. But it begins by talking about the love of God for us, and looking beyond the point at which this week’s reading ends, it goes on to talk about how obeying the commandments of God means loving God and one another, not only in our words and thoughts but in our actions.

The Gospel reading is the one where Jesus comes to the disciples goes through the “yes it’s really me” rigamarole, and asks for something to eat and is given some fish. And then he explains things that seem to mirror the events in the reading from Acts: he explains that this is how the Scriptures have been fulfilled, and that “repentance and forgiveness of sins is to be proclaimed in his name to all nations”, and that they are witnesses of these things.

If you wanted a paraphrase of Psalm 4, I wrote a hymn tune to the one by Isaac Watts: the PDF is available online. But it’s very much an evening sort of hymn, and so might not fit well into a morning service.

A piece that is certainly suitable for Easter given the number of Alleluias, and seems to connect gratitude, the work of healing, and joy, is “May this be a working Alleluia” by Elizabeth Alexander. It’s for children’s choir with SATB and piano — and optional flute and two trumpets.

And, traditional for Easter 3 in particular, and at least relevant to the reading from Zephaniah, is the Jubilate Deo (Psalm 100). Here’s a Soundcloud recording of one in English by Caroline Lesemann-Elliott. I’m not sure where best to contact Caroline but she has been Musical Director of Voces Inauditae and their contact form is certainly one way to get in touch if you’d like a score.