Tawnie Olson

Music for Christmas Eve and Christmas Day, 2018, Year C

Kathryn

Christmas Eve Monday 24th December
2 Samuel 7:1-5, 8:11-16
Psalm 89:19-27
Acts 13:16-26
Luke 1:67-79

Christmas Day: Proper I
Isaiah 62:6-12
Psalm 97
Titus 3:4-7
Luke 2:[1-7] 8-20

Christmas Day: Proper II
Isaiah 9:2-7
Psalm 96
Titus 2:11-14
Luke 2:1-14 [15-20]

Christmas Day: Proper III
Isaiah 52:7-10
Psalm 98
Hebrews 1:1-4 [5-12]
John 1:1-14

The idea is that you’re supposed to use Proper III at some point, because of John’s Gospel. Most people seem to use it at Midnight Mass. Sorry, I’m not summarising all of these readings! Maybe next year.

Jennifer Higdon, O Magnum Mysterium
Text in Latin and English, moderately challenging, 6min.
SATB with three accompaniment options:
A – 2 flutes, 2 crystal glasses, chimes;
B – organ;
C – a cappella
Available from the composer’s website: http://jenniferhigdon.com/choralworks.html
Recording: https://www.youtube.com/watch?v=PeDqzRPK06I

Tawnie Olson, O Inexpressible Mystery
English text, SSAATBB and viola obbligato, moderately challenging, 2min 30s.
Published by E C Schirmer, available in print and download from Canticle Distributing: https://www.canticledistributing.com/catalog/product/view/id/39673/
Recording: https://www.youtube.com/watch?v=t9E5SMz2w4U

Rhian Samuel, So Long Ago
English text by John Pudney, SATB a cappella with soprano solo, moderately challenging, 2min 50s.
Published by Stainer & Bell: https://stainer.co.uk/shop/y154/
Recording: https://youtu.be/-9oCNhKR-ag

Rosephanye Powell, The Word Was God
English text, SSAATTBB a cappella (also available in SATB, SSAA, TTBB)
Available from J W Pepper: https://www.jwpepper.com/The-Word-Was-God/8068120.item
Recording: https://www.youtube.com/watch?v=DWvCNrTrx_s

Patricia Van Ness, Into Winter’s Glimm’ring Night
English text by Patricia Van Ness, SSAATTB a cappella, moderately challenging, 4min. Available from the composer’s website: http://www.patriciavanness.com/works-CM-acappella.html
Recording: http://www.patriciavanness.com/mp3/INTO%20WINTERS%20GLIMMRING%20NIGHT.mp3

This is, of course, an incomplete list. I have quite a backlog to add to the site again, as soon as things quiet down a bit on the PhD front.

May you have a happy, holy and blessed Christmas.

Music for Friday, 1st June: The Visitation of the Blessed Virgin Mary to Elizabeth

Kathryn

Ordinarily the Visitation would be on 31st May, but it’s transferred this year to Friday 1st June because of Corpus Christi falling on 31st May.


Zephaniah 3:14-18
Psalm 113
Romans 12:9-16
Luke 1:39-49 [50-56]

The reading from Zephaniah is a song of joy over God’s salvation and victory.

Psalm 113 is a song of praise to God, particularly noting God’s role as helper of the poor and needy.

Romans 12:9-16 is an instruction on how Christians should behave, including but not limited to loving one another, rejoicing in hope, being patient in suffering, extending hospitality to strangers, and blessing those who persecute us. (I get tired just thinking about it but the good news is I don’t have to do it all on my own strength…)

The reading from Luke is about Mary visiting her sister Elizabeth. Elizabeth immediately recognises that something amazing is happening from the way her own child leaps within her womb. Mary’s reply is well-known to Evensong lovers everywhere, being the text of the Magnificat.

The Magnificat, then, is the obvious music to sing; so I’m going to delve into some lesser-known Magnificats in this post.

Tawnie Olson has a version for Bulgarian Girls Choir and SATB chorus which was commissioned by Karen Clute in honor of strong teenage girls everywhere. The text also includes the Ave Maria, which makes it particularly appropriate. It’s rather long, at 8:30, but I do like it. Listen to an excerpt on Soundcloud.

Jana Skarecky also has a Magnificat, I’m not sure if it’s available anywhere other than the Canadian Music Centre. She has an active page on the Book of Face showcasing her music and art.

Sarah Rimkus wrote a Magnificat to go with Arvo Pärt’s Nunc Dimittis as part of a competition, and it’s absolutely stunning: I was in the audience of the concert at which the four finalists had their pieces sung. The recording doesn’t seem to be online yet, but do contact Sarah for a score.